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Looking to the future once again French savoir-faire is leading the fashion world with new legislation Loi AGEL (Loi Anti-gaspillage pour une encomie curculaire) requiring every product imported into France to be accompanied by a passport which provides compulsory sustainability and circularity information for the item - bravo!\u003c\/p\u003e\u003cp\u003eOverall, I hope we have captured a certain\u003cem\u003e je ne sais quoi \u003c\/em\u003efor you to enjoy. 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Like music, it is not only the gestures themselves that matter, but the spaces between them. In print, this becomes negative space; in knitting, it is tension. It is the subtle interplay of movement and pause, gesture and spacing, that gives a handmade object its vitality, something industrial manufacture can never truly replicate.\u003c\/p\u003e\u003cp\u003eIn her article, Celia Pym lists a number of reasons why we should emphasise craft education: creative problem solving, resilience and self-discipline, connection to cultural heritage, increased self-esteem, as well as, the mental-health benefits of making. She also emphasises the simple joy that comes from the care and attention craft requires.\u003c\/p\u003e\u003cp\u003eIn this issue, we spotlight makers from around the world who focus on the power of repeated gesture, including Dahyeon Yoo from South Korea, London-based Sayan Chanda and Richard McVetis, alongside the duo Doyel Joshi and Neil Ghose Balser of HowAreYouFeeling Studio. Together, their work embodies the Aristotelian idea that the whole is greater than the sum of its parts. The sense that an object can take on a life of its own emerges only when each gesture is given care, attention, and intention, allowing synergy to arise.\u003c\/p\u003e\u003cp\u003eWhen making is undermined by external pressures of time and economics, this care is disrupted, and the process becomes strained, as depicted in the touring play \u003cem\u003eLacrima\u003c\/em\u003e. So when you turn to your own form of craft meditation, remember the wisdom of Aesop’s fable of the Tortoise and the Hare: slow and steady wins the race, and every stitch truly does count.\"\u003c\/p\u003e","brand":"Selvedge Magazine","offers":[{"title":"Default Title","offer_id":42939064090687,"sku":"210000037087","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/kjkwxtthso0omrrh4fjq.jpg?v=1771628139"},{"product_id":"laine-publishing-lets-crochet-2","title":"Laine Publishing Let's Crochet! 2","description":null,"brand":"Laine Publishing","offers":[{"title":"Default Title","offer_id":43066284179519,"sku":"210000037665","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/rsxpvrqdrbpezshso9hm.jpg?v=1775143077"},{"product_id":"selvedge-magazine-issue-130-flower","title":"Selvedge Magazine - Issue 130 - Flower","description":"\u003cp\u003eFrom Selvedge's website:\u003c\/p\u003e\u003cp\u003e\"Spending time away from home has sharpened my sense of what truly matters, of the small, grounding things that make a place feel lived in and loved. These details take on a heightened importance, perhaps more than they strictly deserve: a log-burning stove, Radio 4, and, most of all, a garden. Every inch of my modest, northeast-facing London terrace works hard.\u003c\/p\u003e\u003cp\u003eA COVID-era newcomer to gardening, I restricted myself to white flowers, partly to make the task manageable, partly because restraint feels familiar. As a weaver, I am instinctively drawn to structure – Italianate order rather than English cottage-garden abandon – and I have taken pleasure in planning for vertical and horizontal interest, considering texture as carefully as form. The architectural spheres of alliums rise above a sea of cosmos; delicate agapanthus punctuate mounds of hydrangea, set against a backdrop of perfumed climbing jasmine. Learning what these plants like and dislike has involved a process of trial and error: moving things around, watching closely, waiting to see what thrives and what quietly fails.\u003c\/p\u003e\u003cp\u003eThe parallels with textile making are obvious. Gardening, like weaving, demands patience and forethought, a willingness to start over, and an acceptance of the unexpected. Plans are made, systems imposed, yet the final outcome always contains an element of surprise.\u003c\/p\u003e\u003cp\u003eTextile makers’ fascination with plants, of course, is nothing new. For centuries, flowers have provided both subject and substance: from Marie-Jeanne “Rose” Bertin’s floral adornments for Marie Antoinette, to the use of plants as dyes and embellishment, to the countless ways petals, stems, and leaves have been translated into thread. Beyond cloth, floral forms have appeared in ribbon, print, and paint, their shapes endlessly reinterpreted.\u003c\/p\u003e\u003cp\u003eIn this issue, we explore the enduring relationship between textiles and the botanical world. We visit the Southampton garden of textile designer Jack Lenor Larsen, shaped by Japanese ideas of balance and restraint, and encounter the delicate cut-paper florals of Japanese artist Fumi Imamura. Flowers emerge as a favoured motif for embroidery in Lanto Millington Synge’s collection, donated to the Ulster Museum, while in Corsica, a community of women comes together to celebrate the flora and fauna of their island home through stitch.\u003c\/p\u003e\u003cp\u003eElsewhere, haute couture designers draw on botanical imagery at the Palais Galliera in Paris; vintage tablecloths are reworked into shirts with a twist by Christina Garcia; and Aneeth Arora offers a riotous homage to Tana Lawn, Liberty of London’s perennial favourite. Across these diverse practices, plants remain a source of structure and freedom, discipline and abundance – much like a garden itself.\u003c\/p\u003e\u003cp\u003e\"\u003c\/p\u003e","brand":"Selvedge Magazine","offers":[{"title":"Default Title","offer_id":43173236932671,"sku":"210000037893","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/vcdolsj5acizjpv6n9qb.jpg?v=1777324845"},{"product_id":"laine-magazine-issue-29-damson","title":"Laine Magazine - Issue 29 - Damson","description":"\u003cp\u003e\u003cem\u003eLaine 29, Damson\u003c\/em\u003e, includes 15 beautiful knits well-suited for warmer seasons. The patterns are worked in a variety of techniques, from intricate cables and modern openwork to cosy brioche and meditative stockinette stitch. The photos capture the spirit of lazy, lingering summer days in the garden. The photoshoot drew inspiration from the movie \u003cem\u003eThe Hours\u003c\/em\u003e, particularly the effortless style of \u003cstrong\u003eClarissa Vaughan\u003c\/strong\u003e, portrayed by \u003cstrong\u003eMeryl Streep\u003c\/strong\u003e, as well the beauty of the English countryside, which serves as the backdrop for one of the film’s storylines.\u003c\/p\u003e\u003cp\u003eDesigners featured in this issue: \u003cstrong\u003ePauline Fanguin, Joanna Filip, Saysha Greene, Kaori Katsurada, Marija Korać, Sarianna Lehtonen, Sara Markkula, Paula Narkiniemi, Sari Nordlund, Anne-Sophie Nørby Velling, Serena Qiu, Camille Romano \u003c\/strong\u003eand\u003cstrong\u003e Lis Smith\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eWe also meet \u003cstrong\u003eOlga Fahim\u003c\/strong\u003e, the creator behind \u003cstrong\u003eGotham Knits \u003c\/strong\u003e(@gotham.knits), who has become a pioneer of comical knitting content online. And in our Five Ways article, we have gathered a few key points all knitters should consider when choosing the perfect material for their knitting project! \u003c\/p\u003e","brand":"Laine Magazine","offers":[{"title":"Default Title","offer_id":43263910674495,"sku":"210000037968","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/wfywm1fp6o4r7ummvzga.jpg?v=1778877873"},{"product_id":"selvedge-magazine-issue-131-flow","title":"Selvedge Magazine - Issue 131 Flow","description":"\u003cp\u003eFrom Selvedge's website:\u003c\/p\u003e\u003cp\u003e\"A little over a century ago, the notion of abundant clean water flowing from a tap would have been unimaginable to most. Today, it is so seamlessly embedded in daily life that it goes unnoticed. This quiet ubiquity has fostered not only a culture of abundance but also a belief in superabundance – the illusion that natural resources will replenish themselves indefinitely. Nowhere is this more evident than in textiles, where water remains the invisible yet essential ingredient at almost every stage of production.\u003c\/p\u003e\u003cp\u003eFrom fibre to finished cloth, water underpins the entire process. Silk cocoons are submerged to soften the sericin that binds their filaments, allowing them to be reeled. Cotton cultivation relies heavily on irrigation; wool is scoured before carding; and bast fibres such as flax, hemp, and jute are retted to break down pectins and release their fibres, which are then wet spun. Cloth is fulled, dyed, washed, worn, and washed again. Each stage draws deeply on water resources, contributing to the textile industry’s position as one of the world’s largest sources of water pollution.\u003c\/p\u003e\u003cp\u003eIn this issue, we turn to water – the sacred solvent – and explore its profound entanglement with textiles. While 97 percent of the Earth’s water is saline, saltwater presents particular challenges for cloth. Salt, sun, and abrasion accelerate the degradation of fibres, a reality long understood by coastal communities. The fishwives of Newhaven adapted their dress and the gansies they knit for their husbands to withstand these harsh maritime conditions, embedding resilience into every stitch. Though the fishing industry has largely receded, traditions endure. At the annual Clovelly Herring Festival in Devon, England, textile practitioners gather to preserve and reinterpret maritime craft. Along the shoreline, contemporary designers draw inspiration from beachcombed seaweed, captivated by its form, tactility, and latent potential as a material.\u003c\/p\u003e\u003cp\u003eWater is not only a medium of making but also a site of contestation. As Robert Macfarlane argues in \u003cem\u003eIs a River Alive?\u003c\/em\u003e, rivers are not passive resources but living systems deserving of legal and cultural recognition. Freshwater – so scarce in global terms – has historically sustained centres of textile production from Belgium’s linen industry and England’s woollen mills to India’s celebrated cotton-dyeing traditions. Yet these same waterways have borne the burden of industrial waste and ecological neglect. Encouragingly, a new generation of designers and makers is rethinking these relationships. In places such as Baroda and Jaipur, textile printers are implementing rainwater harvesting and greywater filtration systems, demonstrating that sustainable practice can be embedded within tradition.\u003c\/p\u003e\u003cp\u003eIn the brackish backwaters of Kerala, where lagoons and canals run parallel to the Arabian Sea, water sustains both ecology and craft. Here, the lotus – sacred to Hindu and Buddhist traditions – carries symbolic meaning while also serving as a literal source of fibre. Among these waterways, men loiter, dressed in fluid, undyed cotton lungis, their movements echoing the rhythms of the water itself.\u003c\/p\u003e\u003cp\u003eFluidity in textiles extends beyond material process into the realm of expression. Fabrics cut on the bias move with the body, resisting rigidity and binary definition. They suggest a way of being that is adaptive, responsive, and open. In this convergence of self-care, health, and well-being, hand-dyed cloth becomes both medium and metaphor: a tactile articulation of identity, transition, and continuity.\u003c\/p\u003e\u003cp\u003eAnd so, as the heat of summer rises and you reach instinctively for a cloth to cool your skin, spare a thought for the water it holds within its fibres – the unseen resource that has shaped its journey, and continues to shape our world.\"\u003c\/p\u003e","brand":"Selvedge Magazine","offers":[{"title":"Default Title","offer_id":43436141314111,"sku":"210000038449","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/z3p0rp5mlfrtok7pdmxk.jpg?v=1781799398"},{"product_id":"pre-order-laine-magazine-issue-30-layers","title":"Laine Magazine Issue 30 - Layers","description":"\u003cp\u003eLaine is an international knit and lifestyle magazine.\u003c\/p\u003e\u003cp\u003eIn issue 30 (Autumn 2026), we showcase fifteen beautiful knitting patterns as well as interesting articles from the world of fibre.\u003c\/p\u003e\u003cp\u003eShips August 27th\u003c\/p\u003e","brand":"Laine Magazine","offers":[{"title":"Default Title","offer_id":43774747246655,"sku":"210000038829","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/l0hdyojtjqsyfb9uonks.jpg?v=1787324788"},{"product_id":"pre-order-laine-magazine-anniversary-issue","title":"Laine Magazine Anniversary Issue","description":"\u003cp\u003eLaine is an international knit and lifestyle magazine.\u003c\/p\u003e\u003cp\u003eLaine Anniversary Issue is a special one-shot issue of Laine Magazine, celebrating the magazine’s 10th anniversary. This impressive bookazine features 23 knitwear patterns from international designers.\u003c\/p\u003e","brand":"Laine Magazine","offers":[{"title":"Default Title","offer_id":43774747738175,"sku":"210000038831","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/mv0rgasua25veeblxjpr.jpg?v=1787325359"},{"product_id":"selvedge-magazine-issue-132-legacy","title":"Selvedge Magazine- Issue 132- LEGACY","description":"\u003cp\u003eIn this issue, we explore legacy: the things we inherit that shape who we are and help us understand our place in the world. Objects matter, yet legacy can be a burden as well as a blessing. The Bayeux Tapestry will be on display in London for the first time in 900 years, as humanity finds itself at a crossroads amid the looming presence of artificial intelligence. We examine how museums shoulder the responsibility of caring for the objects that document our shared history; how value is assigned to objects; the politics of authenticity; and how objects move from a utilitarian domain to the museum.\u003c\/p\u003e\u003cp\u003eKim Winter explores the journey of willow baskets from the domestic sphere to the Design Fair, with Eddie Glew. Laura Ayala, Karen Selk, and Liz McLellan reject the trappings of modernity and look to nature for more human-centred alternatives, while Sonia Ashmore paints a nuanced picture of the lives of handloom artisans in Bengal. John Alexander Skelton re-examines the legacy of the Huguenot weavers of Spitalfields through the lens of contemporary fashion in his collection XXI.\u003c\/p\u003e\u003cp\u003eI leave you with a question: What will you leave behind for the next generation to inherit?\u003c\/p\u003e","brand":"Selvedge Magazine","offers":[{"title":"Default Title","offer_id":43809431748671,"sku":"210000038892","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0268\/5177\/0431\/files\/bebxstyhxglirbaa9sfm.jpg?v=1788101762"}],"url":"https:\/\/brooklyngeneral.sbs\/collections\/magazines\/rowan.oembed","provider":"Brooklyn General Store","version":"1.0","type":"link"}